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No. 48903
Very nice! I liked it, it's an interesting and fun read. A good conclusion to the exerpt posted earlier.
As for commentary, note that these are just my personal opinions. I started writing it after I read the first version, so maybe you already changed some things I mention here; if so, disregard.
>scene at Beverly's house Felt a little drawn out, tbh. Maybe it'd be best to shorten it a bit, to the most essential scenes and dialogue bits. >He can take care of the boys while I'm out. Again, strikes me as weird. Is Donald a househusband like Steve? I thought he had a job >All I needed was you girls' approval! Thank you all so much! In contrast to the lengthy scene, Mend's exit looks a bit abrupt. "Bye girls, I visited your reunion only to get your approval, now that I got it I have to run!" Maybe a caption saying that a couple hours more has passed (talking about the good old days, giving Mend advice etc), before they start to leave? >The wins is flowing. Heh, yeah, despite some small rough bits pointed out in this commentary, the wins is surely flowing in this script. >Close-up of Beverly's face. As she looks at her old costume, she can't help but smirk. Beverly: Hurm. (sorry, couldn't resist) >Maybe I'll pack the costume and throw it in my trunk. Why? I don't get her reasoning here. As a suggestion, maybe she wants to get it to the cleaners or smth like that? >...but I have RESPONSIBILITIES now. And besides, supercrime's basically NONEXISTENT these days anyway! Maybe break this text a bit differently. On the previous page: "But I have RESPONSIBILITIES now. And besides..."; on this page: "...supercrime's basically NONEXISTENT these days!" >Seventeen years... Maybe show him looking at the "Early Release" paper with a sad and pensive look on his face, as he says these words? >I have just the THING to bring them back... Back...to their DOOM!!! Maybe add words like "revenge" or "they're gonna pay" into his dialogue somewhere, to drive the point home that he wants to fight them again not just because he likes to fight them (a la Obelix who always seeks some Romans to fight), but because he wants revenge for putting him in jail. >Beverly is (almost) dressed in her business attire Maybe the first panel shows her striding out of her room while buttoning up her shirt (her lacy bra is shown underneath)? For the cheesecake factor, you know. And the next panel, she's going down to the kitchen to Steve and Ben. >Honey, ainren't you FORGETTING somethg? Wait. Steve is a caring househusband who knows his wife is overworked and currently late to work. Why didn't he take care of Betsy himself? This part is kinda jarring. Maybe, as he's somewhat lightheaded (Bev is the responsible and level-headed one in this family), have _her_ remember that? E.g., like this: Panel 1. Bev storms out of her room, buttoning up her shirt (maybe thinking something like "If I'm late to my executive meeting today, I'm doomed" as a humorous echo to Prof's last words?) Panel 2. She's quickly descending the stairs, sees Steve and Ben at the table. Panel 3. Bev grabs a toast. "Steve! Where's she?" Steve: "Eh? Who?" Panel 4. Angry Bev "Our daughter!" Ben: "Hah! That doofus is late, as usual!" Panel 5. Bev rolls her eyes at her family's ineptitude, goes back to get Betsy etc etc. >Betsy is flexing one arm and we can see some muscle definition already. I know some people on /co/ who would definitely like that. >BEVERLY (O.P.) HEY! Give that back, you geek! It's VINTAGE! Shouldn't it be BETSY (O.P.)? >And I'LL be seeing YOU tonight, hun. Dunno, but sounds a bit too horny for this scene. May be just me. >Pupils! Sit in thine assigned seats So wait, everyone's kids except Betsy are late? That statistic seems kinda strange to me. Maybe drop the Sigrun scene, and just keep showing everyone's kids getting ready for school? Or change Sigrun scene to her arriving early to class and either chatting with some other teacher, or getting ready for class, or thinking some thoughts? >Panel 3 (with Candy and Shaundra) The description is at least 2 panels. Smth like this: Panel 3a: Shaundra getting to leave "Mom I'm leaving for school" "Not that you would care", Candy lying watching TV. Panel 3b: Shaundra rolling her eyes, Candy (O.P.) "Have a nice time, sweetie! I'll be here when you get back!" Shaundra "Yeah" >Carmen/Yolanda scene The whole scene is very strange to me. Why is Yolanda acting like a little kid? Why are other kids ordered in a row? Why does her husband act like a spineless doormat? That's all just feels weird to me, sorry. Maybe (just a suggestion) smth like this: Carmen and Juan arguing about who will talk to Yolanda ("Talk with your daughter!" "No you talk with your daughter!") and persuade her to go to school, then Yolanda arrives and joins the shouting match, showing that she inherited both her mother's and father's genes. Still, Carmen wins the argument using both her iron strength of character and her quick wit. >complete with an apron that reads "Kiss The Cook" UNF And a nice nod to her powers! >Donald, tries to corral them. Would be fun if every time Donald appears, some visual stereotypes associated with such "mysterious brooding prettyboy" archetype would play out. E.g., shown as a dark silhouette before his face is shown, hair flowing in the (often non-existent) wind, sarcastic one-liners, maybe even some playful villain-talk towards his wife (and her equally playful hero-talk towards him) etc. It could start right in the 1st issue, before it will be revealed that Donald is secretly SB. >EXT: A nondescript warehouse, out by the docks. Maybe you could insert a page of Sigrun beginning the lesson here. Among her pupils are Betsy, and maybe also Shaundra, Keiichi and Yolanda, too. >Buzz Edison Maybe it would be fun if Prof. thought everybody will instantly recognize him. But the citizens, including Buzz Edison, don't know who he is (the peak of his career was 17 years ago). When he learns of it (maybe he's also watching the TV broadcast in his cockpit), it makes him even more furious, and even more hungry for revenge against the Teen Queens. >Sigrun is standing before a classroom full of students Shouldn't Sigrun says smth along the lines of "By the All-Seeing Eye of Odin!", to complete the parallel? And maybe (maybe) cut the rest of Sigrun's scene – so it would look like a series of panels going "Oh my God!"–"!Dios mio!"–"Aww HELL naw!"–"Oh no..."–"By the Braided Beard of Beowulf!"–"You've got to be kidding." >Anne-Marie is struggling to put her costume on. She's gained a bit of weight since the last time she wore it, and is having a bit of a hard time putting it on. I'd suggest to leave the "put some weight since then" thing to Beverly. Mend has already put her costume on several times, so she would already know that. And in any case, this story is more about Bev and her problems with revisiting her past.
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