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No. 41581
After talking a little bit about the idea of how martial arts might be considered a "cosmic" power in this setting, I came up with an idea of an example of four styles that reflect the idea. If these are okay, I'll put them up on the Wiki, but I just wanted to get some feedback on them before I do that.
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Imperial Martial Arts of the Huue:
Three styles emerged early in the history of the militant Huue families. When the Huue first departed from Earth to space, they witnessed cosmic phenomena which had previously been unknown. One such thing that inspired them greatly was the life cycle of stars. The three sons of one of the mightiest Huue often spoken of the inspiration that this process, but could not agree on which part was more inspirational. The youngest brother, Sieropin, said that it was the creation and the birth of a star that truly captured his attention. The middle brother, Karman, said it was the life and stability of the star that was worthy of observance. The eldest brother, Vowisashurn, said it was the collapsing of stars that were the most fundamental part of their existence.
The three brothers argued constantly over this, each finding new ways to express their point. They composed music, poetry, created art, and even once applied their philosophies to pursuing a Huue woman; Sieropin with his initial, energetic approach, Karman with his more steady and measured demeanor, and Vowisashurn, who would always try to convince the woman that she was in love with him and there was no contest to be had. Finally, the woman, who had grown tired of their endless courtship, demanded that they put two arguments to rest at once; whoever won among the three in a fight using what they learned from the stars would have her hand.
So they trained and developed their own martial arts. Sometimes together, sometimes apart, the martial arts of each brother influenced the other in some way. Each worked with the mind to defeat the other two. For two hundred years, they traveled the stars, and observed the principles they so admired. They defeated countless enemies, gathered their strength, and returned at the agreed time for their deciding battle in the Silver Garden of D'eikarno.
The three-way combat lasted for a solid month. With each combatant at peak physical condition, and because of their ability to survive without food, water, or even sleep, the three brothers would not relent. Finally, after a lunar cycle, a winner emerged; the eldest brother, Vowisashurn, had bested the other two.
When he came to claim his bride, he instead received a stiff strike that rendered him unconscience. When he woke, he found her meditating. “You received my hand,” she said. “Now leave me alone.”
Speechless, Vowisashurn had come to learn that the woman had, during the time of their absence, developed her own martial art, specifically to ward off any of the three. She had been observing their training, and creating her own to defeat whoever the winner should be. Her art, unlike theirs, was a secret. She trained in darkness and silence.
Thus, the Four Ways of the Star were born.
The first style of Sieropin, which states that “the motion will be the form,” “Hand Opening Into Light,” is a martial art that focuses on quick bursts of energy to overwhelm opponents before they even know the fight has begun. There are many strikes and techniques which cause expansion of space, matter, and energy, and the style itself relies on motions which begin from a closed posture and expand outward with sweeping strikes. Its defense, similarly, works on the principle of “exploding forces off of their course.” It works by pushing attacks away with properly timed and angled strikes, causing them to completely re-align around the will of the user.
The second style of Karman, which states that “the motion is the form,” “Hand Holds the Light,” focuses on stability, calm, and clear gesture. The posture and movements of the martial artist seem direct and predictable, yet their absolute strength and certainty make them extremely difficult to overcome. This style focuses on an absolute defense against misdirection and overpowering forces, and the bulk of its offense actually relies on opponents exhausting themselves or even harming themselves against the defensive state.
The third style of Vowisashurn, which states that “the motion was the form,” “Hand Closing Over Light,” focuses on the ending of shifts, motions, and phases. This style is by far the deadliest of the three, and works by consuming energy to kill both attacks and opponents. Although Vowisashurn did not turn its blade on his brothers, it was with this style that he was able to successfully disarm them of their tactics and win the battle. The style focuses on completely crippling opponents through blinding or joint breaks, severing their connection to their power, and fast, subtle strikes that cause nerve damage. In cosmic application, it can also be used to halt regeneration and end immortality among certain classes of being.
The fourth style, which states “There are no forms or motions,” also known as “Hand Hidden from Light,” is one of the “32 Invisible Paths,” martial arts throughout the universe that only receive one student at any given time. The tenants of the style seem to rely on the ambiguity of quantum relationships and observance, stating that all forms of the star exist at all times, and that no points exist at any time. It is only through the will that any state be observed. This style, like the other 32 Invisible Paths, is handed down from one teacher to one student. In practice, it has movements reminiscent of the other three, but will always overcome each of them in combat. Against other styles and opponents, Hand Hidden from Light works on an nearly reality-altering level that allows the user to attain a form of quantum uncertainty-- they always seem to make the winning move in every situation. The secret of this style can never be understood by anyone other than the teacher and their student. Even the cosmic deities cannot guard against it completely.
The three styles of the brothers are traditionally taught to Huue at a young age. Students learn the fundamentals of each style, and then choose one naturally as they develop. The most popular style is that of Karman, as the style of the youngest brother can be highly demanding on the body and mind, and the style of the eldest brother can be difficult to master; unlike the duel of the three brothers, Masters of the Hand Holding the Light find it much easier to defeat the other two styles, either exhaust themselves during the course of the fight or attempt fight ending maneuvers that end up being reversed by the much more stable and steady Hand.
The fourth style of their unwilling bride is only taught to one woman at a time. Her position in Huue society can be likened to that of a royal executioner. In times of unrest or uprising, she has been called to swiftly crush the enemy, completely overcoming their martial ability in fights that are greatly against her favor. The process of how an apprentice is chosen is unknown; each person to wear the mask and elaborate dress of her station speaks and acts exactly as the one before her, so it can be difficult to say just how many generations there have been of master and apprentice. The apprentices also hide their face, but are the more obvious give away to a trained observer.
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