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No. 218845
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>>218835 >You really don't get how this stuff works, do you?
As well as an industry insider? Nope. But I try to follow the info that's publicly available. http://thrillbent.com/blog/how-dc-contracts-work/ is a very good summary of industry contracts over the years, although obviously it leaves out a lot, like how the extremely favorable Vertigo contracts are a thing of the past (hence why good new books from Vertigo are a thing of the past), Shooter's role in improving things, Lee's workarounds to try and get creators more steady money despite him having very little real power, those sleazy old checks that had WFH contracts stamped on them so that when a creator endorsed a check they signed away their rights (pic related), etc.
You're right that secure jobs for creators clearly don't really exist in the comics industry, but Marvel/DC have improved things since 1985 or so, so their contracts aren't just a flat-rate-payment. Royalties, reprints, creation rights, etc. got put into play. (And WB/Disney seem to be trying to turn back the clock to undo that http://www.bleedingcool.com/2013/04/16/digital-first-comics-and-straight-work-for-hire-contracts-with-no-royalties/ ) But as people like Steve Bissette and Colleen Doran have attested to (along with a couple guys that worked on the Red Circle 80s push whose names I forget), most of the improvements that happened at Marvel/DC (and Charlton before it folded) didn't happen at Archie. Ken weighed in on the state of things between Marvel/DC vs. Archie back in 2010 http://www.tssznews.com/2010/07/09/penders-flynn-elaborate-on-archie-sonic-comic-row/ Had he stuck to just seeking royalties for reprints, I suspect people would have a very different opinion of him now. The Lara-Su Chronicles were a pretty bizarre deviation from the usual fights over creator rights. I'd vaguely hoped that with everything that had happened the last few years, Archie might've seen the wisdom in adopting more favorable contracts for creators, but if it's still just lump-sum payments and nothing more then I'm not sure what it would take to serve as a wake-up call for them.
Still, beats the days when Marvel strongarmed Kirby into signing over the Captain America rights for ONE MEASLY DOLLAR.
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